#Serie mbc4 series#

The switches mentioned are located in the lower right corner of the interface. To make adjustment easier, we added FLAVOUR (VCA and OPTO) and HARMO switches that help users achieve the sound they’re after.” We also tweaked the size, color, and contrast of the on-screen text and controls until we were totally satisfied. Ohshita adds: “We really wanted to make it easy to “read,” so we adopted a graph type display with color coded frequency bands. K’s Lab has been engaged in research and development at the forefront of sound technology for approximately 30 years. The group spearheaded the new field of virtual acoustic technology in its early years, and later teamed up with audio legend Rupert Neve to digitally recreate some of his most famous and sought-after designs from the past using modeling technology. Toshifumi Kunimoto, located at Yamaha headquarters in Hamamatsu, Japan.

#Serie mbc4 series#

We interviewed the researchers who developed the MBC4 multiband compressor and Dynamic EQ4 four-band equalizer included in the RIVAGE PM series digital mixing system, and the extremely popular THR series compact guitar amplifiers, and will focus on those products in this article.Īs mentioned in previous installments, K’s Lab is a research group led by Yamaha research fellow Dr. Rather than recreations of classic equipment, the products discussed in this installment are new designs based on the results of K’s Lab research.

We met the one-of-a-kind sound research group, K’s Lab, in two preceding articles: “How the discovery of a 1977 thesis led to a breakthrough at the Yamaha K’s Lab research division 30 years ago,” and “Rupert Neve designs from the 60s and 70s realistically recreated by the Yamaha K’s Lab research team.” In this, the third and final installment of the K’s Lab series, we will take a look at some of the processors and guitar amplifiers that have been created using their VCM (Virtual Circuitry Modeling) technology.